Work in progress and a follow up to 'Teletext is Dead':
http://youtube.com/watch?v=VywerSpT-Rg
Actually, there's another week and a half to the Thing yet. The title was just an excuse to show off my flashy animated GIF. I've got at least two ideas for posters now - the Viewdata and remote control ones on top of the basic word based one.
Meanwhile, I'm also developing ideas for a DVD interface for the show. Above is a pretty basic design - I'd like to use something a bit more artistic but I might decide the above deisgn will suffice. If I'm going to present it in my portfolio I would need to develop it a bit more.



The diagram is indicative of how mediums will be mentioned, as will their 'evolutions', but not included in great detail; only as a reference point as to the state of digital technology at that particular point in teletext's evolution.
This has already been partly explored on the microsite with PixelText. This takes the form of a Flash piece with a few devices used by the format - fastext, numbered menus, flashing banner adverts etc. The microsite itself (right) has been formatted to be in the format, even if it isn't 'hardcore' remaining 100% faithful to the medium.
Maybe I could widen the research project to encompass different types of pixel graphics produced by other media - namely early 8-bit computer games and the early Internet. By also bringing in aspects of the written/printed media I could draw up similarities and contrasts between the different methods of production.
Looking at some of the stuff by Jodi has inspired me to think of areas such as ASCII art, which has not been a widely used medium in teletext but is the same principle of using a basic character set. This article talks about the quest to code a font that reproduces the teletext font on the PC format. It seems the Minitel ASCII and the one used on computers are different despite containing, on the whole, much the same characters. The image to the left shows an Atom VDG (chip for early 1980s computers) character set. Note the strange pixel characters: these are similar to the ones used in Teletext to create images.
The main thing, it seems, is that the Internet has largely overtaken the purpose of teletext and, due to its advances in technology, has widened its scope. However Teletext remains much the same. Whilst the 'new age' of digital set top boxes has brought reduced loading times, the abundance of the net and its now relatively inexpensive access has contributed to teletext's reduction in popularity.
Teletext Ltd. - http://en.wikipedia.org/wiki/Teletext_Ltd
From my own experience, this service is more 'fun' than Ceefax, reflecting the brand values of the more modern independent channels it broadcasts on (ITV, Channel 4, Channel 5). This is reflected in the design of the pages, an example of which can be seen above right.
In addition, Teletext being commercial, there is the capability to advertise. Colourfully painted adverts adorn the pages of the service. Though a little annoyingly placed on most pages, they are well presented (within the confines of the transmitter, at least). Whilst not exactly cutting edge, the graphics represent the early Internet and its text-heavy nature at the time. This screenshot is from 1995.
Finally, left is a technical page labelled only as a DBI status page. I am sure I will look into the technical side of the Teletext service in a coming post.
There are television screenings of the service at set times in the week: these are becoming less common: in fact the BBC stopped the regular service long ago in favour of BBC News 24, whilst ITV ended their 'Nightscreen' transmissions in 2005. They are accompanied by a cheesy easy-listening tune and the pages tick over automatically. Meant for TVs without the Teletext decoder or for people who can't be bothered to lift their hands to get the remote. A screenshot to the left shows a typical screen from the service recorded on Christmas Day 1995. Note the cream background compared to the regular black colour.
Ceefax on the Internet